Hitchhiking in the sun

A new yarn for us this spring is Soleil from Katia, from sunny Spain.

It is a cotton and acrylic mix with 750 meters or 820 yards in 200 grams. This means an astonishing 187 meters per 50 grams. I enjoy the way Katia provides a tag for the starting point, very thoughtful, and most helpful.

A knitter can make a size 14 summer top that weighs only 200 grams. If I were to use lovely Drops Muskat DK, for example the same top could weigh up to 600 grams, as a typical cotton dk  has 100 to 110 meters per 50 grams.

It is a simple, logical, ingenious yarn, made of 4 strands, so it goes; 4 strands yellow -- 3 strands yellow and 1 green -- 2 strands yellow and 2 strands green -- 1 strand yellow and 3 strands green etc, etc through a colourful cycle.

I decided to make the classic, "cognitively delightful" pattern Hitchhiker by Martina Behm. This is a diagonal/asymmetrical shawl with a stepped edge. It is one of the most knitted patterns on Ravelry. There are 42 points, because the number 42 is "The Answer to the Ultimate Question of Life, the Universe and Everything", making this project a cosmic one.

It has been the best thing to knit while watching "Last Chance to See" with Mark Carwardine and Stephen Fry on Netflix, Their late friend Douglas Adams wrote "A Hitchhikers Guide to the Galaxy", the excellent book honoured by Martina's scarf, as well as the original book "Last Chance to See". I like to add a marker every 10 points so I can focus more on the knitting, and less on the counting.

This is colour number 100. I chose it because of Spring, the luscious yellow start promised good cheer, and by golly it delivered. It is May now so we do have in fact, vibrant, almost juicy green and yellow in our garden.

I have knitted through the yellow, the green and now turquoise with blue advancing, pet colours of mine because they remind me of the beautiful Caribbean sea.

And my beloved hammock by Sea to Summit, a gift from my mom.

So I am knitting and knitting, now at point 34, and my goodness, I still have 112 grams left. Amazing!

Faux Afterthought Heel

This month at the guild we began the afterthought heel technique.
I first encountered this method in Elizabeth Zimmerman's 1980 book "Knitting Without Tears". Personally I don't mind cutting my knitting, however, in my experience, many people have reservations about the practice, so I used the variation where the chosen stitches for an opening are temporarily knitted with waste yarn.

This technique is also used in folk socks, where the main pattern is quite ornate. I imagine a skilled and practiced knitter works the main pattern and the heels and toes worked by a student or apprentice knitter. My friend Samu tells me that in Zimbabwe, a garment is often made by a group. Someone knits the back, another the front, another a sleeve etc. so the garment (i.e.) is produced efficiently.

There are lots and lots of people on the internet with wonderful instructions for afterthought heels, like here and here. In this post my aim is to show my lesson prep plus thoughts on the process.

First I made 12 samples, each 48 stitches wide, and 36 rows long, on my regular gauge machine using a sport weight acrylic, tension dial 10, hand fed.

At row counter 12, I hand knit 18 stitches with a piece of contrast waste yarn. This is so the knitters can practice picking up live stitches without fear of cutting the knitting. At row counter 24, I marked the centre stitch, so if the knitter is inclined to cut it is easy find the exact centre point for the snip.

Stocking stitch likes to curl, so I paired the swatches right sides together, basting them around the edges. My favourite low tech blocking approach.

Because the yarn is acrylic, I used my handy vintage tea towel, dipped in water and wrung out, laid on top of the swatches and steamed by lightly touching the wet cloth method. The swatches are small and fit on the ironing board, no problem.

Now the swatches are flat and ready for the sampling work

A blunt tapestry needle with a well spun piece of contrast cotton yarn makes splitting and snagging less likely.

Poke through the stitches on both sides of the waste yarn I like the purl side of the fabric, as I find the individual stitches easier to see.

Then pull out the waste yarn. Heel opening created!

Flip the piece over to the knit side and put the stitches on my sock needles.

The red yarn stays until I am sure I have picked up every stitch.

Then divide the stitches into quarters, ready for shaping, just as a regular toe shaping process.

Knit the "Toe" heel. Everyone has their favourite way of toe shaping, my practice is:

1.  knit 2 together at the end of needle 1 
2. knit 1 slip 1 pass the slipped stitch over, at the beginning of needle 2
3. knit 2 together at the end of needle 3
4. knit 1, slip 1, pass the slip stitch over at the beginning of needle 4.

I like to put a brightly coloured marker at the beginning of the round, because the number of stitches is so small and life can be so interesting that I don't notice when I pass the starting point.

When the shaping is complete and I work a final last plain round I stop at the end of needle 3, leave about 8 inches of main yarn and knit a few rounds of stocking stitch in a contrast colour.

I much prefer to work grafting from stocking stitch than off the needles, especially with such few stitches. Here is a blog post about this method.

In this photo, the yarn between the 2 middle stitches was snipped, the stitches unravelled and picked up with sock needles ready to divide for shaping, the authentic afterthought heel method.
Here are photos from one of my beloved Japanese books showing grafting from waste yarn. 

It is important to use a nice blunt tapestry needle

And a clear contrasting well spun yarn for the waste knitting. I like mercerized cotton close to the weight or slightly thicker than the main yarn.

I also use the waste yarn technique for my honeycomb mittens thumb opening as well as the armhole opening on a sideways waterfall vest or cardigan. Very handy indeed